{"id":7156,"date":"2018-02-01T21:00:04","date_gmt":"2018-02-01T20:00:04","guid":{"rendered":"https:\/\/blog.stage.westend61.com\/blog\/?p=7156"},"modified":"2022-01-11T18:37:38","modified_gmt":"2022-01-11T17:37:38","slug":"angles-and-edges-striking-lines-give-photo-motifs-shape","status":"publish","type":"post","link":"https:\/\/www.westend61.de\/blog\/en\/angles-and-edges-striking-lines-give-photo-motifs-shape\/","title":{"rendered":"Angles and Edges: Striking Lines give Photo Motifs Shape"},"content":{"rendered":"\n

Lines have an important function in photography: They direct the viewers\u2019 gaze to the focal point and help them absorb and understand the picture\u2019s message more quickly.In an earlier post we addressed the gist of how lines do this and their modes of action. Now we\u2019ll to take a closer at the specific ways angles and edges function in a photograph.<\/p>\n\n\n\n

The technique of managing lines is particularly relevant with motifs from the areas of architecture, technology, and mobility. These motifs show man-made structures and systems. They\u2019re distinctive \u2013 in contrast to, say, portrait or landscape photography \u2013 because of the frequent presence of mathematically precisely mapped, straight lines. According to the angle at which these corners and edges traverse the image and where they\u2019re placed within its internal structure, they have a more or less powerful dynamic effect.<\/p>\n\n\n\n

Diagonals<\/strong><\/em> are edges that, depending on their direction, have a positive and emergent or a falling and downwardly pitched effect. An oblique line like this usually awakens an impression of agitation and momentum. This effect is multiplied when such lines are combined with a moving subject, such as a running athlete.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 DANIEL INGOLD\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

In many photos of buildings taken from a worm\u2019s eye view, we encounter diagonal edges in the form of plunging lines<\/strong><\/em>, which augment the feeling of overwhelming size.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 SEBASTIAN GAUERT\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

On the other hand, horizontal edges<\/strong><\/em> have a rather static effect and can easily appear boring. This is why they\u2019re often combined with more horizontal lines or the photo is enlivened with an object of irregular lines or with a stormy sky. In a photograph of architecture, speeding clouds are a favorite means of opening up and invigorating austere forms, since here the sky\u2019s shapes set up an interesting contrast between the manmade structure and the surrounding, untamed nature. This method of composing an image can be seen in countless variation, each of which has its own appeal: Clouds reflecting in the glass facade of a skyscraper;<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 SEBASTIAN GAUERT\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

fluffy white cumulus sailing by on a breeze, loosening a severely geometrical image structure;<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 CARMEN STEINER\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

or the tattered shapes, torn by the wind, that blow by a hulking temple of finance and its imposing, almost frightening profile with the message that nothing lasts forever.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 SEBASTIAN GAUERT\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

For those who can\u2019t quite tell heads from tails, perpendicular lines<\/strong><\/em> in an image\u2019s structure will set them right, since these edges produce an impression of stability, vitality, and energetic forward momentum. This image is an interesting example, combining a moment of stability, expressed by the centrally located pillar, with a moment of rapid movement, here the moving train that extends to the right and left. Diagonal lines that come at the viewer from behind the line of a hidden vanishing point produce additional tension by placing an invisible question mark for the viewer at the image\u2019s center.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 STEFAN KUNERT\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

Where there are edges there are usually corners and it\u2019s at that spot where lines change direction or meet in a particular angle<\/strong><\/em>. This design tool is also a good choice for building tension. This is particularly the case when two lines going in opposite directions meet up, such as in the descending and ascending lines of the building\u2019s edges in this image.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 VISUAL2020VISION\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

Here the effect is heightened still more by the vertical line that expresses less stability than dynamism in the center of the image, at the bottom, and the jet hurtling by overhead.
In contrast to this somber straightness and singularity of purpose, curved edges<\/strong><\/em> convey a feeling of calm and comfort. This is because curved lines with an opening aimed upwards have a receiving and open effect and with the opening aimed downwards, a protective effect of closure. In this image, both forms are harmoniously united.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 HUBERSTARKE\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

It\u2019s appealing when straight and curved edges work together or side-by-side \u2013 above all when they contrast with each other\u2019s perspective and coloring, as here.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 TIMO WEIS\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

Lines at right angles, on the other hand, are constructive, exact, and arouse in the viewer an impression of mathematical precision and sober calculation. So that they don\u2019t seem too static and therefore boring, they\u2019re best combined with diagonal lines \u2013 or with a person, such as the one carrying out their life in such a sad hovel.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 JO KIRCHHERR\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

It\u2019s the opposite in this image, with a seeming willy-nilly jumble of lines and edges whose structure can only be recognized upon close inspection. In the viewer it arouses disquiet and the sense that the woman is trying with her smartphone to reclaim some sanity from a day crammed full of appointments and responsibilities.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 JO KIRCHHERR\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

Straight lines with color separation<\/strong><\/em> come across to the viewer like optical edges, like in this image, where warm tones make a dull wall eye-catching and complement the young woman\u2019s apparent good mood.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 VALENTINA BARRETO\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

Even the lines of a straightforwardly functional arrow on the asphalt can become an attractive backdrop when photographed from the right perspective.<\/p>\n\n\n\n

\"\"<\/a>
\u00a9 DANIEL INGOLD\/Westend61<\/figcaption><\/figure><\/div>\n\n\n\n

It\u2019s apparent that meaningfully traced lines, striking fractures, and optical separations are not just useful for \u201ccleaning up\u201d an image and placing the fore- and background in their places, but can make for an outright more interesting composition. What\u2019s true for people is also true, to some extent, for photos: Those who have just a few corners and edges have a fully developed profile. And it\u2019s something good photography must have to stand out from the glut of more average material.<\/p>\n\n\n\n

More images on that issue can be seen here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Lines have an important function in photography: They direct the viewers\u2019 gaze…
\nRead more…<\/p>\n","protected":false},"author":20,"featured_media":7426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,4770],"tags":[2039,2757,2759,2869,1724],"yoast_head":"\nAngles and Edges: Striking Lines give Photo Motifs Shape - Der Blog von Westend61 - Lizenzfreie Bilder und Stockfotos<\/title>\n<meta name=\"description\" content=\"Angles and Edges: Striking Lines give Photo Motifs Shape Lines have an important function in photography: They direct the viewers\u2019 gaze... 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