People, Light and real emotions: Interview with Lisa Tymokhina

We noticed that you are very good at working with light. Your images are not only strong in content, but also very high quality from a technical point of view.So our first question: Can you tell us in two sentences who you are as a person and how you started with photography?
Thank you so much for having me and for your high appreciation!
I’d describe myself as an explorer at heart – with a camera:) Before moving into stock photography, I worked in science – specifically karstology (the study of caves). This work included many expeditions, where I started to take pictures of nature and learned how to shoot in caves using flash – technically challenging, but fascinating. Feeling like a small human in a vast underground space deeply inspired me. I’m still drawn to exploring the relationship between people and their surroundings – even in lifestyle photography.

How did you discover stock photography, and how did you find Westend61?
Over time, photography captivated me beyond a hobby, leading me to study it and explore new directions. I found a local photography club where I learned about stock photography and uploaded my first works to microstocks in 2012. A few years later, seeking further growth, I started researching agencies and was inspired by Vasily Pindyurin and his successful experience working with Westend61.

For more than four years now, we have been watching with concern that the war in your country continues, as Russia keeps attacking Ukraine. This must be very difficult for you. We admire even more how you manage to create such great images under these circumstances.What is it like to produce photos in Kyiv today, and how was the situation before the war?
Thank you sincerely for your support!
In 2022, I was just preparing my application to join Westend61. Looking back, that goal and the focus it required really helped me emotionally. When you go to sleep not knowing if your home will still be intact in the morning, you inevitably reassess what truly matters and realize the importance of acting without hesitation. At the same time, there are periods when there is no strength for creativity. Photoshoots are often interrupted by air raid alerts, some locations have been damaged, there may be no electricity for many hours. In these conditions, the support of others becomes especially valuable. Even after sleepless nights caused by the shelling, coming together with my models to work gives us a sense that life goes on. In these moments, very emotional images are born. I am deeply grateful to the people I work with.

We really like your photographic style. We are especially impressed by your locations and your models. The offices you shoot in are often very special – with large glass windows, high ceilings, and modern interiors. How do you find these locations, and where do you find your models?And one more question: Do you work alone or with a team?
Thank you! In stock photography you always have to keep your eyes peeled for interesting faces and settings. Kyiv has so many incredible spots – some are brand new, while others are living a ‘second life’ as repurposed industrial spaces. I’m always online looking for new rental options and models. I prefer working alone – it’s the process that suits me best.

© Westend61 / Elisatim

You have been working with us since 2022, but we feel like your work has really taken off in the last year. Why do you think that is?
It’s likely a combination of factors. First, I’ve gained a better grasp of Westend61’s specific aesthetic and needs, and I always make sure to follow my editor’s valuable recommendations. I’ve also streamlined every stage of my workflow, from preparation to the shoot itself. And importantly, I’ve found “my” models – people with whom I share an immediate and easy understanding.

In your images, we often see a subtle sense of humor, which you turn into strong visual concepts. For example, the series with the wired heads, showing mental stress or chaotic thoughts.How do you come up with these ideas, and what inspires you?
When planning a shoot, I try to balance serious business imagery with something more playful – even absurd. It lets models have fun and reminds the viewer that life is full of diverse, unexpected moments.
I love using symbols and metaphors. My interest in symbolism was influenced by René Magritte and surrealism in general, but I can be inspired by almost any visual – from ads to cinema – or even a play on words. A good example is the working title for this series with the wired heads: “Tangled in Thought”. It is essentially a self-ironic exploration of how creative people can get exhausted searching for ideas, yet never truly stop the process of creation.

© Westend61 / Elisatim

Is there an image you have always wanted to create?
I’ve always wanted to do a shoot at a solar farm. The visual geometry and its immense scale are incredible, and I think it would be a perfect setting to explore the relationship between technology and nature.

Please show us your favorite image from your Westend61 portfolio and tell us why it is the one you like the most.
Looking at this photo of an abandoned greenhouse, I reflect on the idea of merging two worlds: the past, where nature dominates, and the future with its technology. Where is the point of contact between these worlds, and what is the role of humanity within it? This is actually one of my favorite themes. I want to believe that one day all wars will end, and human actions will be directed solely toward the development of humanity in harmony with nature.

© Westend61 / Elisatim

What advice would you give to young photographers who are just starting in stock photography?
Be bold, look for new ways to express your ideas. Experiment! Don’t copy anyone – feel free to express yourself. And the second thing, equally important in stock photography: embrace planning, analysis, and discipline.

How do you see the development of AI? Do you think it will replace photography, especially stock photography, in the next years? Or will it be more of an additional tool? Does it worry you, or do you feel relaxed about it?
I try to look at the use of AI from both perspectives: as a photographer and as a consumer. When using AI, it’s important to clearly understand its application and purpose. Because it is so easy to use, it’s also very easy to overuse it in situations where it shouldn’t be applied. As a photographer, I see new technical possibilities and that’s exciting. But from a consumer’s perspective, I’m convinced that AI will not replace stock photography in cases where it is necessary to build trust with the viewer. High-quality, authentic photography will remain in demand. People need people! If an image is about emotion – about conveying experience and sincerity – artificiality doesn’t help, it actually weakens communication. The viewer senses the substitution, which can create subconscious distrust or rejection.
That’s why my task as a photographer is to stay aware of technological advancements, while continuing to focus on the quality of my images – filling them with realism, honesty, and individuality.

What does working with Westend61 mean to you?
For me, Westend61 is about moving from mass production to meaningful creativity and lively dialogue. Working with Westend61 means being part of a community that shares my values. I deeply resonate with their focus on authenticity, balance, and finding joy in simple, everyday things. It’s where professional standards meet a very genuine, human atmosphere.

Would you recommend working with Westend61 to other photographers?
Yes, absolutely. Westend61 offers a unique blend of professional growth within an international team, editorial support, and the freedom of self-expression as a photographer. It’s a powerful combination!

Many thanks,
Lisa

Link to Lisas Portfolio: here